名画配色Palettes from public-domain prints and paintings · B 06/08
Seurat's A Sunday on La Grande Jatte color palette
修拉《大碗岛的星期天下午》 · 配色
Also known as A Sunday Afternoon on the Island of La Grande Jatte
A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86. Art Institute of Chicago，公有领域 · public domain.
↓ 下载卡片 · Download card五个角色The five roles
--ink· 深底Dark base衣影紫灰Dress violet-grey
取自右侧人物的深色衣服 · from the dark clothes of the figures at right
indigo-shadow-faint照片取色 · as photographed #46444A · ΔE2000 3.8
--primary· 主色Main阳光草地Sunlit lawn
取自阳光下的草地 · from the sunlit lawn
canary-radiant-dust照片取色 · as photographed #A49F67 · ΔE2000 1.2
--surface· 浅色Light tone远岸Far bank
取自远处的河岸 · from the far bank
apricot-tone-dust照片取色 · as photographed #B7A68A · ΔE2000 2.9
--paper· 最亮色Lightest tone河面亮色River light
取自河面朦胧的光 · from the hazy light on the river
apricot-silk-muted照片取色 · as photographed #C4B9A4 · ΔE2000 2.0
--accent· 点缀Accent红褐Russet
取自左侧人物的衣服 · from clothes of the figures at left
ruby-velvet-dust照片取色 · as photographed #875C54 · ΔE2000 1.4
:root {
--ink: #40434F; /* Dress violet-grey · indigo-shadow-faint */
--primary: #A8A36B; /* Sunlit lawn · canary-radiant-dust */
--surface: #B4A27E; /* Far bank · apricot-tone-dust */
--paper: #BCB29F; /* River light · apricot-silk-muted */
--accent: #87594F; /* Russet · ruby-velvet-dust */
}对比度Contrast
- 正文：最亮色底上的深底色字Body text: dark base on lightest tone4.69:1 · AAAA
- 大字或图标（不宜放小字）：深底上的主色Large text or icons, not small text: main on dark base3.80:1 · AA 大字AA large
- 大字或图标（不宜放小字）：浅调底上的深底色字Large text or icons, not small text: dark base on light tint3.94:1 · AA 大字AA large
关于修拉《大碗岛的星期天下午》About Seurat's A Sunday on La Grande Jatte
修拉 1884–1886 年的大幅油画（芝加哥艺术博物馆藏），用无数小色点画成；画布四周那圈彩点边框是 1888–1889 年加画的。
主色是阳光下草地的黄绿，深底是右侧撑伞女子等人物深色衣服的紫灰，浅色和最亮色取自远处河岸和水面的朦胧光，点缀是左侧人物衣服的红褐。这套配色饱和度低、很柔和，适合做安静的品牌色。深底和色库颜色的色差（ΔE）是 3.8，比其他几个颜色大：这块紫灰几乎是中性色，而色库在这个明度上只有中性灰和饱和度最低的一档彩色，它正好落在两者之间。
Georges Seurat's large oil of 1884–86 (Art Institute of Chicago), built from countless small dots of colour; the painted border was added in 1888–89.
The main colour is the yellow-green of the sunlit lawn, the dark base the violet-grey of the darkest clothes (the woman with the parasol at right), the light and lightest tones the hazy light on the far bank and the river, and the accent the russet of the clothes of figures at left. Low in saturation and soft, it suits a quiet brand. The dark base is matched at ΔE 3.8, looser than the others: this violet-grey is almost neutral, and at this lightness the archive has only its neutral greys and its faintest chromatic band, with this colour between the two.
A Sunday on La Grande Jatte — 1884. Georges Seurat, 1884–86. Oil on canvas. Art Institute of Chicago, object 27992. Public domain — the record reads is_public_domain: true (checked 2026-10-14). Museum record.
The colours describe the museum's photograph, not the paint itself. Each was sampled by role and matched to the nearest archive colour by CIEDE2000 (within 3; the dark base within 5).
公有领域作品，图像来自博物馆的开放获取资源。颜色描述的是博物馆的照片，不是颜料本身；每个颜色按角色取样，再按 CIEDE2000 对齐到色库里最接近的颜色（色差 3 以内，深底 5 以内）。