Africa
Saffron, terracotta, and Majorelle Blue — the spectrum of an Atlas-edge market.
Morocco's visual identity moves between two registers: the desert-light terracotta of pisé walls and the mountain-edge saturated blues of Chefchaouen. The signature Majorelle Blue is named after painter Jacques Majorelle, who from 1937 painted the studio and walls of his Marrakech garden in it, and has since become inseparable from the country's design exports. Saffron, henna, and indigo dyes — all once traded along trans-Saharan caravans — supply the warm half of the palette.
:root {
--majorelle-blue: #6050dc;
--pise-terracotta: #c75b3d;
--saffron: #f4c430;
--mint-tea-green: #62a87c;
--henna-red: #964b00;
--chefchaouen-blue: #7bafd4;
--atlas-white: #f2ead3;
}@theme {
--color-majorelle-blue: #6050dc;
--color-pise-terracotta: #c75b3d;
--color-saffron: #f4c430;
--color-mint-tea-green: #62a87c;
--color-henna-red: #964b00;
--color-chefchaouen-blue: #7bafd4;
--color-atlas-white: #f2ead3;
}Egypt
Lapis lazuli, gold leaf, and Nile reed green — the colors of ancient Egyptian tombs, jewelry and papyri.
Greece (Aegean)
Whitewashed walls and Aegean blue — the two-color palette of the Cycladic islands.
Italy (Tuscany)
Terra rossa and Sienese ochres — the warm half of the Mediterranean palette.
Mexico
Frida pink, cobalt blue, and marigold — the palette of Mexican modernism and Día de los Muertos.